To paint with the Inpainting Brush Tool, simply click and drag. Since the image is going to be 3D, it would be weird if there were two foregrounds as the camera panned. The goal is to create a background that will exist without the foreground you separated earlier. Whatever you paint will be automatically removed by Affinity Photo. Step 13: Paint over the foreground once again. Step 12: Select the Inpainting Brush Tool. Now that the foreground is ready, it's time to work on the background. Step 11: Click on the background in the Layers window. Step 10: Turn off the foreground layer by unchecking its box. Go to Select > Deselect to remove the dotted lines from the workspace. If you turn off any layers underneath the foreground (by unchecking their boxes in the Layers window), you can see that your foreground is now completely separated from the background. This will select everything but the foreground. Feather smooths out the selection and is meant for cleaning up a selection.Ĭlick "Apply" once you're done creating your selection. Painting with Foreground selected marks things as part of the selection. Matte tells Affinity Photo to look at an area again to detect a selection. In the new window that has appeared, there are options for Matte, Foreground, Background, and Feather. This workspace is where you get to clean up your selection. This will open up a new window and everything that you haven't selected should turn red. You can use the left and right bracket keys on your keyboard to make the brush size bigger or smaller as needed.Īfter you've done as much as you can using the Selection Brush Tool, before clicking Apply, click Refine. It will occasionally be off and you'll accidentally get parts of the background in the selection. As you do, you'll see a dotted zebra line begin to automatically appear as Affinity Photo tries to figure out what you're trying to select. With the layer selected, you can duplicate it by right-clicking (or control-clicking) the layer and clicking on Duplicate in the menu.Ĭlick and drag across your foreground. To separate the foreground from the background, you'll need two layers. You can also open Affinity Photo first and click File > Open. There are two ways to do this: you can drag the image from The Finder onto Affinity Photo on the dock. Step 1: Open the picture in Affinity Photo. We'll use a combination of Affinity Photo and Motion.įirst of all, this is a short video clip of the completed project: Here is an example workflow to create this effect. It has a similar slideshow appearance but now with depth. It's an alternative to the Ken Burns Effect and a great way to create visual interest. It's more like arranging flat layers in a 3D space.Īnyway, I've started seeing this effect in other places (mainly documentaries), and it's still just as cool to me now as it was back then. I've since learned that this effect is usually called 2.5D (pronounced "two and a half D") because it's not quite three dimensional. They seemed to be separated from the desert background, and the camera moved to the side, showing depth between the two layers. He took a still photograph of my mom and him in the desert and made it appear three dimensional. Several years ago, my dad showed me this crazy cool effect he used in a video. Of course, we’ll continue to make videos (which is our main thing), but some folks prefer text which is why we gave this format a try. We’re curious to hear whether you like it. Note from Izzy: The format of this article is an experiment.
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